
Jason Marconi began his entertainment career after graduating from SUNY Purchase in 2001 with a Bachelor of
Fine Arts degree in Graphic Design.
Soon after graduation, Jason relocated to Los Angeles where he began working on many successful and
rewarding projects. Having a background in graphic design, Jason started working as an art director and
graphic designer, specializing in motion graphics. He has worked on main title sequences for film, TV promos,
commercials, DVD menus and television show graphics.
In his brief, but successful career Jason has worked for companies such as Warner Brothers, Disney, 20th
Century Fox, Sony, MTV, Troika Design Group, The Picture Mill, Creative Domain, B1 Media, PONGO, Fish Eggs
and Jacques Dupuy Design.
Jason has worked on many feature length motion pictures. Recently he has completed animated DVD menus for
films such as…The Last Samurai, Ice Age, Men in Black 2, The Lion King, Panic Room, Pocahontas, Cold Creek
Manor and Steven Spielberg’s Minority Report. He has also worked on many television projects having
animated and/or designed DVD menus for shows such as…Alias, Law & Order, Scooby Doo, Superfriends, Teen
Titans, Justice League, Undeclared and NYPD Blue.
On the promo front, Jason has been involved in marketing campaigns for numerous film and television series.
He has contributed motion graphic animation for the advertising campaigns for Buffy the Vampire Slayer,
Seabiscuit, 2 Fast 2 Furious, Scarface, American Pie 3, Jeepers Creepers 2 and Lost in Translation.
In early 2003, Jason joined the team responsible for designing and animating the main title animation for the
20th Century Fox comedy “The Girl Next Door.”
Later that year, Jason took on the rewarding task of being the Art Director of an Interactive DVD video game for
Walt Disney’s popular Lilo and Stitch.
In early 2005, Jason was approached by his friend Keith Brauneisen and asked to participate in THE KIKI B
SHOW. He joined the team, but has regretted his decision ever since. The show has consumed countless
hours of Jason’s time and those are hours he can never get back.




















